From the Artists' Book Collection

At Stuart Hall Library we have a great interest in texts and objects that will tell us more about culture and creativity. So we decided to start collecting artists' books, and have been doing so for the past three years. Some have been donated to us, others have been actively searched for and purchased.

We were impressed and beguiled by the beautiful books on display as part of Iniva's Peter Clarke exhibition Wind Blowing on the Cape Flats, and felt inspired to display some of our own artists' books in the library.

Each book has its own narrative of ideas, influences and processes of production. Much of this remains hidden to the viewer/reader. But we hope that visitors will enjoy the books as objects in their own right, as well as being aware of the power they have to tell a story about a wider artistic practice or project.

Photo by Christa Holka.

Natasha de Betak's Nightshade is a collection of photographs of individuals at rest, in dream-like poses. The book is hard-bound and made from handmade paper, with its own slip case. It arrived in the post from the artist wrapped in pink and purple tissue paper tied with a black ribbon, like a present.

Alongside Nightshade is Faye De Gannes' Inside the Coco, which has been discussed previously on the Stuart Hall Library blog. This book, a tribute to Faye's late mother, is handmade and concertinaed, with lush photography of the countryside in Trinidad.



Photo by Christa Holka.

Faye had visited the library to gain inspiration from the collection before making her own book. Hormazd Nariewalla 's Dead Man's Patterns (above) is one of the books that caught her eye. The book originates from Hormazd's residency at a Savile Row tailor's company.

These books are on open display to enable visitors to handle and explore them, in order to gain a sense of what the artist aimed to achieve.



Smaller books are on display in our cabinets: My Travel Journal by Yukina Narita is a small box of thirty-four individual cards with illustrations of places visited by the artist. Sofa, by Jessica Jane Charleston is a six-page, black and white photocopied booklet demonstrating the simple but effective aesthetics of a zine. Paul Salt's River Thinking: Prague One Year After the Floods of August 2002 reflects his interest in environment and landscape.




Shelagh Atkinson's Lost, Found and Kept series of '6-fold' small books are exploring, in her words, 'the playfulness of the English language', using red print in '12-point Helvetica bold, a typeface that wants to be read, neutral and functional'. Red Diaper 'explores the twin themes of identity and relationship through text and imagery', while Face It documents 'thoughts and ideas testifying to the imperfect beauty of the human'.

Leo Asemota's Testimony is part of a bigger project, The Ens Project, which is 'informed by the Igue ceremony to the Head practiced by the Edo people of Benin City, the Victorian age of invention, exploration and conquest and Walter Benjamin’s seminal treatise on art in the technological age'. The book, A5 and concertinaed in format, has an archival quality, which can be experienced by the beautifully filmed Reading of Leo Asemota's Testimony by Brendan McGinty in which the viewer watches the book being opened, and the pages turned.

Most artists' books at the library are not on the open shelves, but visitors are welcome to see them on request.

From the Artists' Book Collection will be on display until 31 March.

For more information, contact us.

Inspiration from art and life: Faye De Gannes’ Inside the Coco



Faye De Gannes, self portrait 2012

This blog post is an example of about the power of art libraries to inspire and inform the creative work of artists and researchers:

Faye De Gannes first visited the library in June to gather ideas and inspiration to produce an artist’s book. The idea of artist’s books as a medium for photography was new to Faye – she calls hers an ‘artist’s photobook’. She discussed her ideas with library staff, and together they identified some items from the artist’s book collection that related closely to her requirements. Those books are: Hormazd Narielwalla's Dead Man’s Patterns, a book constructed from a the tailoring pattern of a man’s suit; Leo Asemota’s Testimony, concertinaed book with handwritten text, photographic and diagramatic images, and Stanley Wong’s RedWhiteBlue: here/there/everywhere, two stitched volumes in a bag of plastic material.

Her masters research had been influenced by the social documentary photography of Sebastiao Salgado and Dorothea Lange. Lange’s work prompted Faye to think about her own personal history and relationship to land. She recalls a conversation with her late mother about her childhood, which was spent growing up on a farm in the South of Trinidad.

For her artist’s book project, Faye’s senior tutor advised her to find a subject that would have personal meaning for her; she decided to create a tribute to her mother. Her initial ideas were focused on hand-made, textile, tactile materials, evoking domesticity and ideas of home.

Faye developed the format for her book from a combination of Hormazd’s A3-size brown paper-wrapped book, and the hardback, flexible paper concertina-style of Leo Asemota’s.   
The final version of Faye’s book, entitled Inside the Coco, was printed on newsprint paper, covered mount board in net curtain fabric sourced locally (Ridley Road Market in Dalston!) soaked in tea to give it an aged look, concertinaed and bound. The materials chosen for the physical object echo the materials the viewer can see in Faye’s images.


The finished book

  



Faye exhibited images from Inside the Coco at her graduation show in early September, where the work received a great amount of interest and praise.

Faye plans to build on her project by spending an extended time in Trinidad; her work is scheduled to appear in ARC Magazine in Spring 2013.

For library staff, it has been a pleasure to see the project progress from the start of an idea, to the realisation of a finished object. We will acquire a copy of Inside the Coco shortly.

 Faye De Gannes  graduated in BA Hons in Photography from the University of the Creative Arts, Farnham. She has won freelance business start up awards from the Prince’s Trust and Nets UK and has featured reportage photography in national and international publications.

In 2006 she was awarded a scholarship award for attending a business entrepreneurship programmed at Babson College, Boston MA, for her freelance photography. And also became represented by PYMCA, Alamy, and most recently a contributing member of NUJ, Demotix and Corbis photographic agencies.

In 2012, graduating from the University of Westminster with an MA Photojournalism, De Gannes aspires to be represented by leading international photographic agencies and news feature wires as an emerging editorial photojournalist.


http://www.mapj-exhibition.info/2012/gannes.html
http://fayedegannes.viewbook.com/album/insidethecoco#1